Crossroads: A Novel (Hardcover)
Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads.
It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless—unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who’s been selling drugs to seventh graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate.
Jonathan Franzen’s novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own.
A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen’s gift for melding the small picture and the big picture has never been more dazzlingly evident.
About the Author
Jonathan Franzen is the author of five novels, including The Corrections, Freedom, and Purity, and five works of nonfiction, most recently Farther Away and The End of the End of the Earth, all published by Farrar, Straus and Giroux. He lives in Santa Cruz, California.
Named a most anticipated book of the fall by The New York Times, USA Today, Oprah Daily, Time, Entertainment Weekly, Vulture, the Los Angeles Times, the San Francisco Chronicle, Town & Country, The Guardian, Newsday, the Star Tribune, Lit Hub, Los Angeles magazine, Thrillist, The Week, and more…
"The Corrections was a masterpiece, but Crossroads is [Franzen's] finest novel yet . . . He has arrived at last as an artist whose first language, faced with the society of greed, is not ideological but emotional, and whose emotions, fused with his characters, tend more toward sorrow and compassion than rage and self-contempt . . . Crossroads is Franzen’s greatest and most perfect novel to date, but more importantly, it is his most promising: an inexhaustible resource for future novels...” —Frank Guan, Bookforum
“Franzen is a master of rendering the broad sweep of humanity through the (extremely human) minutia of a family. In Crossroads, I felt a frustration and fondness for the Hildebrandts so deep it was almost familial. This is, perhaps, [Franzen’s] greatest skill as a writer . . . What more could a reader ask for, really?” —Jessie Gaynor, Lit Hub
"[A] pleasure bomb of a novel . . . New prospects are what keep [Crossroads] so engrossing, each section expanding on and deepening the poignancy of what has come before . . . . Few [writers] can take human contradiction and make it half as entertaining and intimate as Franzen does . . . A magnificent portrait of an American family on the brink of implosion . . . Crossroads is Act I of what’s bound to be an American classic." —Lauren Mechling, Vogue
“A compelling examination of faith, privilege and ambition.” —Time
"[A] funny, sad, unputdownable tapestry of a pastor and his family in the midst of myriad crises--of conscience, religion, and otherwise." —Vanity Fair
“A damn good novel . . . Franzen demonstrates sheer dexterity in terms of both craft and style, empathy and compassion.”—The Sewanee Review
"[Franzen] imbues his books with big ideas, in this case about responsibility to family, self, God, country, and one’s fellow man, among other matters, all the while digging deep into his characters’ emotions, experiences, desires, and doubts in a way that will please readers seeking to connect to books heart-first . . . Franzen’s intensely absorbing novel is amusing, excruciating, and at times unexpectedly uplifting—in a word, exquisite.”—Kirkus Reviews (starred review)
"Franzen returns with a sweeping and masterly examination of the shifting culture of early 1970s America, the first in a trilogy . . . Throughout, Franzen exhibits his remarkable ability to build suspense through fraught interpersonal dynamics. It’s irresistible." —Publishers Weekly (starred review)
"[A] masterful, Tolstoian saga . . . Franzen adroitly portrays eternal generational conflicts . . . This masterpiece of social realism vividly captures each character’s internal conflicts as a response to and a reflection of societal expectations, while Franzen expertly explores the fissions of domestic life, mining the rich mineral beneath the sediments of familial discord. In this first volume of a promised trilogy, Franzen is in rarified peak form." —Booklist (starred review)
“Franzen pens complex, densely layered characters . . . with America’s heartland functioning as a stage upon which the tension between enduring values and societal change is enacted . . . Franzen is keenly aware that human struggle is defined by understanding and acceptance and that it is generational, ideas he admirably captures here.” —Library Journal (starred review)
“[Franzen] does not disappoint . . . [He writes] with penetrating insight delivered through incisive sentences . . . I can’t wait to read what happens next.” —BookPage (starred review)