Stealing the Show: How Women Are Revolutionizing Television (Hardcover)

Stealing the Show: How Women Are Revolutionizing Television By Joy Press Cover Image

Stealing the Show: How Women Are Revolutionizing Television (Hardcover)


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From a leading cultural journalist, a definitive look at the rise of the female showrunner—and a new golden era of television.

Female writers, directors, and producers have radically transformed the television industry in recent years. Shonda Rhimes, Lena Dunham, Tina Fey, Amy Schumer, Mindy Kaling: These extraordinary women have shaken up the entertainment landscape, making it look like an equal opportunity dream factory.

But things weren't always this rosy. It took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era. In this endlessly informative and wildly entertaining book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades, starting with Roseanne Barr (Roseanne) and Diane English (Murphy Brown), whose iconic shows redefined America’s idea of “family values” and incited controversy that reached as far as the White House.

Barr and English inspired the next generation of female TV writers and producers to carve out the creative space and executive power needed to present radically new representations of women on the small screen. Showrunners like Amy Sherman Palladino (Gilmore Girls), Jenji Kohan (Weeds, Orange Is the New Black), and Jill Soloway (Transparent) created characters and storylines that changed how women are seen and how they see themselves, in the process transforming the culture.

Stealing the Show is the perfect companion to such bestsellers as Mindy Kaling’s Is Everyone Hanging Out Without Me?, Tina Fey’s Bossypants, and Shonda Rhimes’ Year of Yes¸ not to mention Sheila Weller’s Girls Like Us and Rebecca Traister’s All the Single Ladies. Drawing on deep research and interviews with the key players, this is the exhilarating behind-the-scenes story of a truly groundbreaking revolution in television.
Joy Press is the TV correspondent for Vanity Fair. She was previously the chief television critic at The Village Voice, an entertainment editor and writer for Salon and the Los Angeles Times, and a contributor to publications such as New York, The Guardian, and The New York Times. She lives in Los Angeles.
Product Details ISBN: 9781501137716
ISBN-10: 1501137719
Publisher: Atria Books
Publication Date: February 27th, 2018
Pages: 320
Language: English
“A roaring tour of women’s professional, artistic, and political impact on television and on popular culture. By turns invigorating and sobering, Stealing the Show maps the progress of the expanded voice, vision, and reach of women on television and behind its scenes.”—Rebecca Traister, New York Times bestselling author of All the Single Ladies and Big Girls Don't Cry

Joy Press’s Stealing the Show is essential reading for anyone interested in women gaining power, in how edgy storytelling comes to screens, and in brilliantly talented females taking the reins of a once-derided-as-secondary-to-movies medium during its current multi-platform explosion. It’s a page-turner that – between emergency-amped-up feminism in the age of Trump and the digitalization of....well, everything – comes at a perfect time. Shonda, Lena, Jenji, Jill, et al are the hipster powerhouses driving a new bold, wacky, humane presentation of women’s truths and images, many too-long hidden or too-long shamed. I relished their stories – and was inspired by them, too.” —Sheila Weller, author of the New York Times bestseller Girls Like Us and The News Sorority

“Please read this book immediately. It is sharp, funny, and gorgeously researched, a satisfying blend of inside dirt and critical illumination. It also places female creativity on television exactly where it belongs: dead center in the cultural conversation.”—Emily Nussbaum, television critic for The New Yorker

“With a keen eye and a sharp writing style, [Press] presents the argument that, despite the limited power of TV and the current political backlash facing women, increased representation on-screen has the potential to inspire a cultural revolution . . . . An urgent and entertaining history of the transformative powers of women in TV.”— Kirkus Reviews (starred review)

“[A] powerful narrative that expertly weaves reporting, analysis, and anecdotes . . . . Press’s chronicle of a pop-culture movement should inspire a new generation of women creators.” — Publishers Weekly (starred review)

“[Stealing the Show] is well-organized chronologically and is an absorbing read with some politics thrown in . . . . Highly recommended for those who enjoy reading about the entertainment industry, how their favorite TV shows are created, and women.”—Library Journal (starred review)

“Press gives television lovers an inspiring, eye-opening look into the way women are creating groundbreaking, original content.”—Booklist

"Stealing the Show is informative and incredibly entertaining, and features insight from the very women who are continuing to make cracks in television’s glass ceiling."—Bitch Media 

"Stealing the Show is a wildly entertaining and informative jaunt through the creative upheaval that’s been taking place on TV screens over the past thirty years. Crucially, the book doesn’t treat women’s contributions to this awakening as a sideshow. Rather, Press’s book is something of an alternate history of the modern TV era, a persuasive rebuke to the now-familiar story of the brilliant male showrunners and their brooding male characters who breathed new life into the medium and ushered it to the top of the cultural food chain."—Village Voice

"In this thrilling book, Joy Press weaves the most influential TV shows created by women into a cohesive narrative arc. You'll learn how Murphy Brown and Roseanne paved the way for revolutionary shows like Transparent and Orange is the New Black — and how these shows actually influenced the culture around them. Press also conjures up figures, and the writing room environments, behind the creation of these shows. Through her sharp descriptions, the showrunners become characters as interesting as the protagonists they created for seasons."— Refinery 29